39/32
I went to Juilliard
Synopsis
The spirits of a deceased couple are haunted by an obnoxious family who have moved into their home and hire a malicious spirit to drive them out. This is Michael Keaton’s favorite movie. Otho’s shoes when he’s painting the walls of the house change from red fireman’s elf shoes to white sneakers as he walks through the bathroom and then they change back to red elf shoes as he enters the next room. Adam: What are your qualifications? Beetlejuice: Oh. Well… I graduated from Harvard Business School.
I travel a lot
I lived through the Black Death and had a great time during it. I HAVE SEEN THE EXORCIST ABOUT ONE HUNDRED AND SIXTY-SEVEN TIMES, AND IT GETS FUNNIER EVERY TIME I SEE IT… NOT TO MENTION THE FACT THAT YOU’RE TALKING TO A DEAD GUY… NOW WHAT DO YOU THINK? Do you think I’m qualified? The Geffen Company logo is accompanied by a macabre rendition of the song Banana Boat (sung by the film’s composer Danny Elfman). A print of the film has surfaced with a few added/alternate scenes.
Instead of a desert, he sees an empty darkness filled with gears turning
This version of the film is about 2 minutes shorter than the theatrical release, has a few extra scenes and is missing others, is in black and white, and has a timecode at the bottom. This version has 4 main differences: Alternate Scene: The scene where Adam tries to leave the house after he and his wife die is different. Bonus Scenes: There is an additional scene where Lydia is developing the photos she took of Adam and Barbra. Then, after her mother yells at her and blames her for poking holes in her sheets, Lydia runs upstairs and tries to convince her father that the photos are real. There is more in the scene where the adults are searching for ghosts in the attic, where we see the desert monster trying to eat Adam and Barbra while they are hanging out of the attic window. Finally, there is a 2-minute extra scene at the end where we see Lydia riding her bike home from school and her parents talking to Jane on the phone, saying that they don’t want to sell the house. Lydia’s dancing scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room.
Edited in Terror Toons (2002)
The film ends with a final exterior shot of the house. Day-OTraditional, lyrics by William A. Attaway and Irving Burgie [Incorrectly credited as written by William A. Attaway & Irving Burgie (as Lord Burgess)] Played by Harry Belafonte Courtesy of RCA Records. This is by far Michael Keaton’s best performance. Every time he’s on screen, he delivers a performance so eccentric that it rivals Jim Carrey’s from ‘The Mask’, only without as much help from the computer. If his role calls for something crass, he brings it; aggressive, he brings it; witty, he brings hilarious sarcasm.
This is a classic
One of my few complaints is that he doesn’t get enough screen time, although he does get a large portion of it, most of it goes to Gena Davis and Alec Baldwin. Tim Burton’s direction is great. My favorite scene by far doesn’t even have Michael Keaton in it. Anyone who’s seen it will remember it as the dinner dance scene. If you haven’t seen it, then you must have grown up under a rock or been born before me.
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